Recent Articles

Saturday, 4 January 2014

Rehabilitation

Saturday, 4 January 2014 - 0 Comments


Borobudur was heavily affected by the eruption of Mount Merapi in October and November 2010. Volcanic ash from Merapi fell on the temple complex, which is approximately 28 kilometres (17 mi) west-southwest of the crater. A layer of ash up to 2.5 centimetres (1 in) fell on the temple statues during the eruption of 3–5 November, also killing nearby vegetation, with experts fearing that the acidic ash might damage the historic site. The temple complex was closed from 5 to 9 November to clean up the ashfall
UNESCO donated US$3 million as a part of the costs towards the rehabilitation of Borobudur after Mount Merapi's 2010 eruption. More than 55,000 stone blocks comprising the temple's structure were dismantled to restore the drainage system, which had been clogged by slurry after the rain. The restoration was finished in November
In January 2012, two German stone conservation experts spent 10 days at the site analyzing the temples and making recommendations to ensure their long-term preservation.In June, Germany agreed to contribute $130,000 to UNESCO for the second phase of rehabilitation, in which six experts in stone conservation, microbiology, structural engineering and chemical engineering will spend a week in Borobudur in June, then return for another visit in September or October. These missions will launch the preservation activities recommended in the January report and will include capacity building activities to enhance the preservation capabilities of governmental staff and young conservation experts.

Contemporary events


 Following the major 1973 renovation funded by UNESCO, Borobudur is once again used as a place of worship and pilgrimage. Once a year, during the full moon in May or June, Buddhists in Indonesia observe Vesak (Indonesian: Waisak) day commemorating the birth, death, and the time when Siddhārtha Gautama attained the highest wisdom to become the Buddha Shakyamuni. Vesak (or Waisak) is an official national holiday in Indonesia and the ceremony is centered at the three Buddhist temples by walking from Mendut to Pawon and ending at Borobudur.
The monument is the single most visited tourist attraction in Indonesia. In 1974, 260,000 tourists of whom 36,000 were foreigners visited the monument. The figure hiked into 2.5 million visitors annually (80% were domestic tourists) in the mid-1990s, before the country's economy crisis. Tourism development, however, has been criticized for not including the local community on which occasional local conflict has arisen.In 2003, residents and small businesses around Borobudur organized several meetings and poetry protests, objecting to a provincial government plan to build a three-story mall complex, dubbed the 'Java World'.

"Mahakarya Borobudur" ballet performance at Borobudur
On 21 January 1985, nine stupas were badly damaged by nine bombs.In 1991, a blind Muslim preacher, Husein Ali Al Habsyie, was sentenced to life imprisonment for masterminding a series of bombings in the mid-1980s including the temple attack. Two other members of a right-wing extremist group that carried out the bombings were each sentenced to 20 years in 1986 and another man received a 13-year prison term. On 27 May 2006, an earthquake of 6.2 magnitude on the Richter scale struck the south coast of Central Java. The event had caused severe damage around the region and casualties to the nearby city of Yogyakarta, but Borobudur remained intact.
UNESCO identified three specific areas of concern under the present state of conservation: (i) vandalism by visitors; (ii) soil erosion in the south-eastern part of the site; (iii) analysis and restoration of missing elements. The soft soil, the numerous earthquakes and heavy rains lead to the destabilization of the structure. Earthquakes are by far the most contributing factors, since not only stones fall down and arches crumble, but the earth itself can move in waves, further destroying the structure. The increasing popularity of the stupa brings in many visitors, most of whom are from Indonesia. Despite warning signs on all levels not to touch anything, the regular transmission of warnings over loudspeakers and the presence of guards, vandalism on reliefs and statues is a common occurrence and problem, leading to further deterioration. As of 2009, there is no system in place to limit the number of visitors allowed per day, or to introduce mandatory guided tours only.
International tourism awards were given to Borobudur archaeological park such as PATA Grand Pacific Award 2004, PATA Gold Award Winner 2011, and PATA Gold Award Winner 2012. On June 2012, Borobudur was recorded in Guinness Book of World Records as the world's largest Buddhist archaeological site.
Rehabilitation
Borobudur was heavily affected by the eruption of Mount Merapi in October and November 2010. Volcanic ash from Merapi fell on the temple complex, which is approximately 28 kilometres (17 mi) west-southwest of the crater. A layer of ash up to 2.5 centimetres (1 in) fell on the temple statues during the eruption of 3–5 November, also killing nearby vegetation, with experts fearing that the acidic ash might damage the historic site. The temple complex was closed from 5 to 9 November to clean up the ashfall.
UNESCO donated US$3 million as a part of the costs towards the rehabilitation of Borobudur after Mount Merapi's 2010 eruption. More than 55,000 stone blocks comprising the temple's structure were dismantled to restore the drainage system, which had been clogged by slurry after the rain. The restoration was finished in November.
In January 2012, two German stone conservation experts spent 10 days at the site analyzing the temples and making recommendations to ensure their long-term preservation. In June, Germany agreed to contribute $130,000 to UNESCO for the second phase of rehabilitation, in which six experts in stone conservation, microbiology, structural engineering and chemical engineering will spend a week in Borobudur in June, then return for another visit in September or October. These missions will launch the preservation activities recommended in the January report and will include capacity building activities to enhance the preservation capabilities of governmental staff and young conservation experts.

Restoration


Borobudur attracted attention in 1885, when Yzerman, the Chairman of the Archaeological Society in Yogyakarta, made a discovery about the hidden foot. Photographs that reveal reliefs on the hidden foot were made in 1890–1891. The discovery led the Dutch East Indies government to take steps to safeguard the monument. In 1900, the government set up a commission consisting of three officials to assess the monument: Brandes, an art historian, Theodoor van Erp, a Dutch army engineer officer, and Van de Kamer, a construction engineer from the Department of Public Works.

Embedding concrete and pvc pipe to improve Borobudur's drainage system during the 1973 restoration
In 1902, the commission submitted a threefold plan of proposal to the government. First, the immediate dangers should be avoided by resetting the corners, removing stones that endangered the adjacent parts, strengthening the first balustrades and restoring several niches, archways, stupas and the main dome. Second, fencing off the courtyards, providing proper maintenance and improving drainage by restoring floors and spouts. Third, all loose stones should be removed, the monument cleared up to the first balustrades, disfigured stones removed and the main dome restored. The total cost was estimated at that time around 48,800 Dutch guilders.
The restoration then was carried out between 1907 and 1911, using the principles of anastylosis and led by Theodor van Erp. The first seven months of his restoration was occupied with excavating the grounds around the monument to find missing Buddha heads and panel stones. Van Erp dismantled and rebuilt the upper three circular platforms and stupas. Along the way, Van Erp discovered more things he could do to improve the monument; he submitted another proposal that was approved with the additional cost of 34,600 guilders. At first glance Borobudur had been restored to its old glory.
Due to the limited budget, the restoration had been primarily focused on cleaning the sculptures, and Van Erp did not solve the drainage problem. Within fifteen years, the gallery walls were sagging and the reliefs showed signs of new cracks and deterioration. Van Erp used concrete from which alkali salts and calcium hydroxide leached and were transported into the rest of the construction. This caused some problems, so that a further thorough renovation was urgently needed.
Small restorations have been performed since then, but not sufficient for complete protection. In the late 1960s, the Indonesian government had requested from the international community a major renovation to protect the monument. In 1973, a master plan to restore Borobudur was created. The Indonesian government and UNESCO then undertook the complete overhaul of the monument in a big restoration project between 1975 and 1982. The foundation was stabilized and all 1,460 panels were cleaned. The restoration involved the dismantling of the five square platforms and improved the drainage by embedding water channels into the monument. Both impermeable and filter layers were added. This colossal project involved around 600 people to restore the monument and cost a total of US$ 6,901,243.[36] After the renovation was finished, UNESCO listed Borobudur as a World Heritage Site in 1991. It is listed under Cultural criteria (i) "to represent a masterpiece of human creative genius", (ii) "to exhibit an important interchange of human values, over a span of time or within a cultural area of the world, on developments in architecture or technology, monumental arts, town-planning or landscape design", and (vi) "to be directly or tangibly associated with events or living traditions, with ideas, or with beliefs, with artistic and literary works of outstanding universal significance".

Rediscovery



Following its capture, Java was under British administration from 1811 to 1816. The appointed governor was Lieutenant Governor-General Thomas Stamford Raffles, who took great interest in the history of Java. He collected Javanese antiques and made notes through contacts with local inhabitants during his tour throughout the island. On an inspection tour to Semarang in 1814, he was informed about a big monument deep in a jungle near the village of Bumisegoro.[28] He was not able to make the discovery himself and sent H.C. Cornelius, a Dutch engineer, to investigate. In two months, Cornelius and his 200 men cut down trees, burned down vegetation and dug away the earth to reveal the monument. Due to the danger of collapse, he could not unearth all galleries. He reported his findings to Raffles including various drawings. Although the discovery is only mentioned by a few sentences, Raffles has been credited with the monument's recovery, as one who had brought it to the world's attention.
Hartmann, a Dutch administrator of the Kedu region, continued Cornelius' work and in 1835 the whole complex was finally unearthed. His interest in Borobudur was more personal than official. Hartmann did not write any reports of his activities; in particular, the alleged story that he discovered the large statue of Buddha in the main stupa. In 1842, Hartmann investigated the main dome although what he discovered is unknown and the main stupa remains empty.
The Dutch East Indies government then commissioned F.C. Wilsen, a Dutch engineering official, who studied the monument and drew hundreds of relief sketches. J.F.G. Brumund was also appointed to make a detailed study of the monument, which was completed in 1859. The government intended to publish an article based on Brumund study supplemented by Wilsen's drawings, but Brumund refused to cooperate. The government then commissioned another scholar, C. Leemans, who compiled a monograph based on Brumund's and Wilsen's sources. In 1873, the first monograph of the detailed study of Borobudur was published, followed by its French translation a year later. The first photograph of the monument was taken in 1873 by a Dutch-Flemish engraver, Isidore van Kinsbergen.
Appreciation of the site developed slowly, and it served for some time largely as a source of souvenirs and income for "souvenir hunters" and thieves. In 1882, the chief inspector of cultural artifacts recommended that Borobudur be entirely disassembled with the relocation of reliefs into museums due to the unstable condition of the monument. As a result, the government appointed Groenveldt, an archeologist, to undertake a thorough investigation of the site and to assess the actual condition of the complex; his report found that these fears were unjustified and recommended it be left intact.
Borobudur was considered as the source of souvenirs and parts of its sculptures were looted, some even with colonial government consent. In 1896 King Chulalongkorn of Siam visited Java and requested and was allowed to take home 8 cartloads of sculptures taken from Borobudur. These includes 30 pieces taken from a number of relief panels, five buddha images, two lions, one gargoyle, several kala motifs from the stairs and gateways, and a guardian statue (dvarapala). Several of these artifacts, most notably the lions, dvarapala, kala, makara and giant waterspouts are now on display in Java Art room in The National Museum in Bangkok.

Abandonment


Borobudur lay hidden for centuries under layers of volcanic ash and jungle growth. The facts behind its abandonment remain a mystery. It is not known when active use of the monument and Buddhist pilgrimage to it ceased. Sometime between 928 and 1006, King Mpu Sindok moved the capital of the Medang Kingdom to the region of East Java after a series of volcanic eruptions; it is not certain whether this influenced the abandonment, but several sources mention this as the most likely period of abandonment.
The monument is mentioned vaguely as late as ca. 1365, in Mpu Prapanca's Nagarakretagama written during Majapahit era and mentioning "the vihara in Budur". Soekmono (1976) also mentions the popular belief that the temples were disbanded when the population converted to Islam in the 15th century.
The monument was not forgotten completely, though folk stories gradually shifted from its past glory into more superstitious beliefs associated with bad luck and misery.
Two old Javanese chronicles (babad) from the 18th century mention cases of bad luck associated with the monument. According to the Babad Tanah Jawi (or the History of Java), the monument was a fatal factor for Mas Dana, a rebel who revolted against Pakubuwono I, the king of Mataram in 1709.It was mentioned that the "Redi Borobudur" hill was besieged and the insurgents were defeated and sentenced to death by the king. In the Babad Mataram (or the History of the Mataram Kingdom), the monument was associated with the misfortune of Prince Monconagoro, the crown prince of the Yogyakarta Sultanate in 1757.In spite of a taboo against visiting the monument, "he took what is written as the knight who was captured in a cage (a statue in one of the perforated stupas)". Upon returning to his palace, he fell ill and died one day later.

Construction


There is no written record of who built Borobudur or of its intended purpose. The construction time has been estimated by comparison between carved reliefs on the temple's hidden foot and the inscriptions commonly used in royal charters during the 8th and 9th centuries. Borobudur was likely founded around 800 CE. This corresponds to the period between 760 and 830 CE, the peak of the Sailendra dynasty in central Java,when it was under the influence of the Srivijayan Empire. The construction has been estimated to have taken 75 years and been completed during the reign of Samaratungga in 825.
There is confusion between Hindu and Buddhist rulers in Java around that time.
The Sailendras were known as ardent followers of Buddhism, though stone inscriptions found at Sojomerto suggest they may have been Hindus.It was during this time that many Hindu and Buddhist monuments were built on the plains and mountains around the Kedu Plain. The Buddhist monuments, including Borobudur, were erected around the same time as the Hindu Shiva Prambanan temple compound. In 732 CE, the Shivaite King Sanjaya commissioned a Shivalinga sanctuary to be built on the Wukir hill, only 10 km (6.2 mi) east of Borobudur.
Construction of Buddhist temples, including Borobudur, at that time was possible because Sanjaya's immediate successor, Rakai Panangkaran, granted his permission to the Buddhist followers to build such temples.In fact, to show his respect, Panangkaran gave the village of Kalasan to the Buddhist community, as is written in the Kalasan Charter dated 778 CE.This has led some archaeologists to believe that there was never serious conflict concerning religion in Java as it was possible for a Hindu king to patronize the establishment of a Buddhist monument; or for a Buddhist king to act likewise. However, it is likely that there were two rival royal dynasties in Java at the time—the Buddhist Sailendra and the Saivite Sanjaya—in which the latter triumphed over their rival in the 856 battle on the Ratubaka plateau. This confusion also exists regarding the Lara Jonggrang temple at the Prambanan complex, which was believed that it was erected by the victor Rakai Pikatan as the Sanjaya dynasty's reply to Borobudur,but others suggest that there was a climate of peaceful coexistence where Sailendra involvement exists in Lara Jonggrang.

Etymology



In Indonesian, ancient temples are referred to as candi; thus locals refer to "Borobudur Temple" as Candi Borobudur. The term candi also loosely describes ancient structures, for example gates and baths. The origins of the name Borobudur however are unclear, although the original names of most ancient Indonesian temples are no longer known. The name Borobudur was first written in Sir Thomas Raffles' book on Javan history.Raffles wrote about a monument called borobudur, but there are no older documents suggesting the same name. The only old Javanese manuscript that hints at the monument as a holy Buddhist sanctuary is Nagarakretagama, written by Mpu Prapanca in 1365.
The name Bore-Budur, and thus BoroBudur, is thought[by whom?] to have been written by Raffles in English grammar to mean the nearby village of Bore; most candi are named after a nearby village. If it followed Javanese language, the monument should have been named 'BudurBoro'. Raffles also suggested that 'Budur' might correspond to the modern Javanese word Buda ("ancient")—i.e., "ancient Boro". However, another archaeologist suggest the second component of the name (Budur) comes from Javanese term bhudhara (mountain).
The construction and inauguration of a sacred Buddhist building—possibly a reference to Borobudur—was mentioned in two inscriptions, both discovered in Kedu, Temanggung Regency. The Karangtengah inscription, dated 824, mentioned a sacred building named Jinalaya (the realm of those who have conquered worldly desire and reached enlightenment), inaugurated by Pramodhawardhani, daughter of Samaratungga. The Tri Tepusan inscription, dated 842, is mentioned in the sima, the (tax-free) lands awarded by Çrī Kahulunnan (Pramodhawardhani) to ensure the funding and maintenance of a Kamūlān called Bhūmisambhāra. Kamūlān is from the word mula which means 'the place of origin', a sacred building to honor the ancestors, probably those of the Sailendras. Casparis suggested that Bhūmi Sambhāra Bhudhāra, which in Sanskrit means "The mountain of combined virtues of the ten stages of Boddhisattvahood", was the original name of Borobudur.

Waisak Day

A major festival in the Buddhist Calendar, Waisak day celebrates the birth, enlightenment and death of Buddha Siddharta Gautama. Borobudur is a central meeting point for Buddhists from all over Indonesia, and around the world on this auspicious day held every year, on a full moon in either April or May each year.
Each year one of a series of Buddhist organisations take the lead in the festivities, which include a procession from Mendut temple through to Pawon temple and then Borobudur. Depending on the organiser of the year, the emphasis is slightly different, but it is always colourful and filled with festivity and food
The around 15,000 participants stretch for over a kilometre on the walk to 
Borobudur, where they settle before a dias with Borobudur as a backdrop.
The thousands sit and join together in repeating mantras, is a powerful and humbling experience. Then a meditation begins, with a complete silence. Intense.
This is an extraordinary experience that for visitors
shows the both the strength of Buddhism and the 
plurality of religions in Indonesia, as this government
and community supported celebration flourishes.
For up to date information for the next celebration contact our Visitor Assistance Centre who can give you advice and help you with any arrangements you may need.
Waisak day is celebrated at many Buddhist Temples, it is also celebrated at Candi Sewu within the Prambanan Temple Compunds.
 

Mahakarya At Borobudur

The Aksobya open air theatre of Borobudur hosts a very special Javanese dance event once each year in June.
The Mahakarya is the story behind the conception of the temple through to 
the construction, interweaving the stories of the Saliendra dynasty and local 
life of the 8th Century.
200 performers in traditional costumes with a full gamelan orchestra to 
provide music are completed with a backdrop of a temple lightshow.
This is a contemporary piece, the result of a collaboration between local communities, dancers from Solo’s Art School and historians.
For the date of the next performance please contact our Visitor Assistance Centre.

 

The Cinnamon Route

In 1982, a 21 year old Englishman named Philip Beale climbed the Borobudur temple intent on studying the reliefs which adorn the temple. Philip was in Indonesia to study traditional ships and marine traditions, and had previously served in the British Royal Navy.

In total he found 10 panels depicting sea vessels, some powered
by oar, and others with a three masted ship, with sails cut in a rectangular slant.  

The young Englishman could see that the ships of the Borobudur temple may have been a part of a famous shipping route that linked Indonesia to Africa many centuries earlier.

The treacherous Cinnamon shipping route took vessels from Indonesian waters across the Indian Ocean past the Seychelles, Madagascar, and South Africa to Ghana. The main trade of the first millennium on this route was spice, being of extremely high value in that era.

Philip Beale’s fascination with the boatbuilding of Indonesia and the skills of the sailors led him to a project of building a traditional ship that then retraced the original route.
The ship and the full story behind its trip are now housed in a dedicated space within the Borobudur Archaeological Park, The Borobudur Ship Museum.

Borobudur Museum

The base level of the temple plays an important role in illustrating the first of the three zones of consciousness. Apart from one corner which has been ‘revealed’ for visitors, it is not possible to see the remaining reliefs remain hidden below the supporting foundation. The hidden base of the Borobudur temple was dissembled and the reliefs were photographed by Casijan Chepas in 1890.
It is these photographs that are displayed in the dedicated museum building within the Borobudur Archaeological Park.
This series of reliefs is known as the Mahakarmawibhangga and represents the world of desire.
The depiction of theft, murder, rape and torture appear amongst other immoral acts. The direct or indirect result of these acts is shown to be a tortuous afterlife. The depiction of hell includes the cutting up of bodies with a saw, burning bodies, and bondage with hot chains.

The reliefs also depict more harmonious topics including working together, agricultural methods, and planned parenthood.

Some of the panels have inscriptions which are believed to have been instructions to the carvers. Some panels remain unfinished, and this gives rise to the theory that the additional base was added before the temple had been completed.

About Borobudur

LAYER UP
Borobudur temple is built to represent many layers of Buddhist theory. From a birds eye view, the temple is in the shape of a traditional Buddhist mandala. A mandala is central to a great deal of Buddhist and Hindu art, the basic form of most Hindu and Buddhist mandalas is a square with four entry points, and a circular centre point. Working from the exterior to the interior, three zones of consciousness are represented, with the central sphere representing unconsciousness or Nirvana.
According to this Buddhist cosmology, the universe is divided in to three major zones. The Borobudur temple represents these zones in its rising layers.
Zone 1  Kamadhatu
The phenomenal world, the world inhabited by common people.
This base level of Borobudur has been covered by a supporting foundation, so is hidden from view. During an investigation by
JW Yzerman in 1885 the original foot was discovered. Borobudur’s hidden Kamadhatu level consists of 160 reliefs depicting scenes of Karmawibhangga Sutra, the law of cause and effect. Illustrating the human behaviour of desire, the reliefs depict robbing, killing, rape, torture and defamation.Evidence suggests that the additional base was added during the original construction of the temple. The reason for adding the base is not 100% certain, but likely to be either for stability of the structure, to prevent the base from moving, or for religious reasons - to cover up the more salacious content. The added base is 3.6m in height and 6.5m wide.
A corner of the covering base has been permanently removed to allow visitors to see the hidden foot, and some of the reliefs. See image to the right.

Photography of the entire collection of 160 reliefs is displayed at the Borobudur Museum which is within the Borobudur Archeological Park.

Zone 2 Rapadhatu
The transitional sphere, in which humans are released from worldly matters.The four square levels of Rapadhatu contain galleries of carved stone reliefs, as well as a chain of niches containing statues of Buddha. In total there are 328 Buddhas on these balustraded levels which also have a great deal of purely ornate reliefs .

The Sanskrit manuscripts that are depicted on this level over 1 300 reliefs are Gandhawyuha, Lalitawistara, Jataka and Awadana. They stretch for 2.5km. In addition there are 1 212 decorative panels.


Zone 3 Arupadhatu
The highest sphere, the abode of the gods.
The three circular terraces leading to a central dome or stupa represent the rising above the world, and these terraces are a great deal less ornate, the purity of form is paramount.

The terraces contain circles of perforated stupas, an inverted bell shape, containing sculptures of Buddha, who face outward from the temple. There are 72 of these stupas in total. The impressive central stupa is currently not as high as the original version, which rose 42m above ground level, the base is 9.9m in diameter. Unlike the stupas surrounding it, the central stupa is empty and conflicting reports suggest that the central void contained relics, and other reports suggest it has always been empty.



HAND OUT
The total of 504 Buddhas are in meditative pose, and the 6 different hand positions represented throughout the temple, often according to the direction the Buddha faces.
These ‘mudra’ symbolise concepts such as charity, reasoning and fearlessness, it is said they tell a story that Buddha’s serene face does not.



 


RESTORATION
Borobudur was left to the ravages of nature in the 8th Century when the power of Java shifted to the East of the island. The reason for this shift is unknown, but it is often speculated that there was a volcanic eruption and people moved to be away from it.
 
There are manuscripts that relate stories of Javanese re-visiting the site in the 18th Century. But it was the ‘re-discovery’ by the British Sir Stamford Raffles in 1814 that led to greater recognition and also preservation efforts.

In 1815 Raffles commissioned an initial clean up, where 200 labourers spent 45 days felling trees and moving earth from the remains. Many areas of the temple were sagging.

Activities continued with documentation and interpretation of the reliefs. It was during the work of Ijzerman in 1885 that the hidden reliefs at the base of the temple were discovered. It was these hidden reliefs that also revealed some Sanskrit instructions left for the carver, with lettering that was sodistinctive that the
construction of the temple was able to be dated, to the middle of the 9th century, during the time of the Saliendra dynasty reign.
A few scenes had been left unfinished, with instructions to the stone carver inscribed in Sanskrit, and the style of lettering is so distinctive that it can be dated specifically to the middle of the 9th century.
In 1907 a large scale restoration was carried out under Dutchman Van Erp that finished in 1911. The work was significant and definitely safeguarded the temple for some time. However, many of the pieces were not put back in their original positions during the restoration.
 
In 1956 another assessment of the temple was made by a Belgian expert who was sent by UNESCO. His assessment concluded that water damage was significant, and would need to be stemmed if the temple was to have a long term future. The hill below the temple was eroding, the foundations were being weakened and also the reliefs were being eroded.

Preparatory work began in 1963, which amongst other things discovered that the hill was not a natural hill as had always been assumed, but areas of it were loamy soil, mixed with stones and stone chips. The initial work assessed the scale of a restoration to be gigantic, and the Indonesian Government then submitted a proposal to UNESCO in 1968 outlining the works needed.
 
UNESCO gave full support and commenced work to raise funds for the restoration. From 1968 to 1983, research through to restoration took place under UNESCO. Specialists from the world over came to assist in the dismantling, and re-engineering of the site. A great deal of work was also done to develop procedures to prevent the microorganisms eating away the stone.

The UNESCO world heritage listing of Borobudur Temple was inscribed in 1991.
 


THE TEMPLE CORRIDOR

Accurately in line with Borobudur are two smaller temples, Pawon and Mendut. Given the time in which these temples were built, the accurate positioning achieved remains a mystery. Pawon is 1.15km, and Mendut 3km from Borobudur.

The three temples are used to form a route for the Waisak day festival each
year. Held each year on the day of the full moon in April or May the festival commemorates the birth, enlightenment and death of Gautama Buddha.
This important day in the Buddhist calendar sees many local and international pilgrims walk in procession from Mendut, through to Pawon and then on to Borobudur. It is a colourful and festive occasion supported by the Indonesian government.

Subscribe

Donec sed odio dui. Duis mollis, est non commodo luctus, nisi erat porttitor ligula, eget lacinia odio. Duis mollis

© 2013 Borobudur Temple. All rights reserved.
Designed by SpicyTricks